One of the funnest theories on this site is the significance of room 237 in Kubrick’s adaptation of ‘The Shining.’ The theory stems out of Kubrick’s alleged involvement with a fake moon landing. While he was filming 2001: A Space Odyssey (1967) he worked closely with NASA throughout this time so the allegation he directed fake landing footage has been around for decades. But since 2010 its been a trending theory that Kubrick’s deliberate choice to change room 217 (Stephen King’s version) to room 237 was a clue. The theory asserts that 237 miles to the moon was the distance to the moon in text books of the era. And this mattered to the theory as Kubrick, who obsessed over every frame and detail, chose Danny to wear an Apollo 11 rocket ship sweater for the scene when he finally enters this room.
Another alteration from the book is the previous caretaker’s family did not consist of twin daughters but does in the movie. Another word for twin? Gemini, just like the previous missions to Apollo. There are a handful of other claims, such as All work and no play shows the ALL typed out as, A11 as in Apollo 11. Is it so? (I’ll have to post my own typewriter font and see how absurd this claim might be?*).
My favorite conspiracy fueling shot of the film from Kubrick, a known chess master is the last image at the end of the film, a still image of Jack Nicholson. Jack is holding a secret note that a man in a suit is holding back.
Stanley Kubrick
The Shining (1980)
EyesWideShut
Roger Avery recently confirmed what every film nerd has at some level assumed, Eyes Wide Shut (1999) was altered from what Kubrick had planned. For context Kubrick had an iron clad contract that gave him final edit. It was not a matter of nudity or some other typical issue with censorship, according to Avery the film was suppose to have important narration throughout. This changes the level of intense ambiguity we are given without it. You can watch Avery’s full interview on the JRE show on the right. I will be adding a film analysis on this page with Avery’s claims. What would Kubrick’s version look like? As Avery claims, Kubrick was irate with Warner producers and heard screaming, '“You’ll never cut my movie.” Kubrick died five days after the executive producers were given their first glimpse into the film. Was Kubrick killed for his film? if you don’t know why this film is a hot topic online, you’re not paying attention.
“I was cured alright”
A Clockwork Orange (1971) is a bold movie dealing directly with secret government mind control on prisoners. It is not a stretch to see how Kubrick’s time with NASA and Hollywood might have pushed him over the edge. He moved to England after 1967’s film. A Clockwork Orange is his first made in his new home, and is one of his most cynical of government and the limits of power. Its also his only film to ever be banned, although the above film was censored in another way.
ACO deals with a major theme of free will, human nature, MK Ultra, symbolically in a tyranical dystopic sci fi.
Poster hand picked by Kubrick